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Solo Strings was recorded by award-winning engineers, who captured each soloist using world-class equipment: priceless ribbon and valve mics through Neve Montserrat preamps, the largest 88R Neve console in the world, onto pristine 2” tape before being converted with the top-of-their-class Prism AD converters at 96k. Scores such as Dunkirk, Beauty and the Beast, Wonder Woman and Paddington 2 were recorded there recently, as well as classics such as Harry Potter and the Philosopher’s Stone, The Dark Knight and Gladiator. Featuring Jack Liebeck (violin - Virtuoso), Clio Gould (violin - 1st Desk), Thomas Gould (violin - Progressive), Max Baillie (viola), Richard Harwood (cello) and Leon Bosch (double bass), Solo Strings is a no-compromise library, recorded in an exceptionally resonant acoustic space.Īs with many Spitfire libraries, we returned to the iconic Hall at AIR Studios to record Solo Strings. These players can be heard all over major Hollywood films. This gives us an exceptionally versatile set of tools that can create anything from a single searing cello line to multiple parts added to larger sections, providing added definition and personality and bringing together a very unique sextet of players with unprecedented control and malleability.įor Solo Strings, Spitfire had the privilege of working with a group of internationally acclaimed musicians with a goldmine of experience as first-call soloists. These three violins are joined by three exceptional string players on viola, cello and double bass, all with an equal attention to detail and depth of sampling. Our progressive player was recorded further away from the conductor, designed to fit into larger string sections, or offer up solo passages in a more contemporary vernacular, opening the door to a modern, filmic sound of extended techniques including “Mandolin pizzicato” and “Tremolo whispers”. Our “1st Desk” performer plays “out”, leading the orchestra. 1st Desk was recorded on the front desk of the first violins, perfectly placed for adding individuality and definition to a string line, while still able to blend in with the section. Virtuoso, with a standing player, captures the sound of a sonata, or a featured soloist out in front of the orchestra performing in a ‘concerto’ style. Our new solo violin can be played in three distinct modes and was performed by three distinctly different players: Virtuoso, 1st Desk and Progressive, each containing not only their own range of articulations, but also a range of recording locations in the hall and different styles of performance. We needed to go beyond expectation, making each instrument versatile enough to match the emotional temperature of your music, offering a vast range of mic positions and articulations to blend perfectly with our Symphonic and Chamber collections.
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Soloists are exceptional players, and capturing them on a recording presented unique challenges.